Arnold Golden Fly

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The Quantum Bomb of Clean Energy is a visionary artwork that merges science, spirituality, and art into a powerful symbol of human evolution. The central figure emerges from a universe of equations and cosmic energy, representing the awakening of consciousness and the birth of a new era powered by clean, infinite energy.that explore dialogue, life, and mortality.

The Quantum Bomb of Clean Energy is a visionary artwork that merges science, spirituality, and art into a powerful symbol of human evolution. The central figure emerges from a universe of equations and cosmic energy, representing the awakening of consciousness and the birth of a new era powered by clean, infinite energy.that explore dialogue, life, and mortality.

This three-dimensional mixed-media artwork explores the eternal dialogue between reason and chaos. Through sculptural textures, crayon pointillism, and layered acrylics, Einstein represents rational order while HTridex embodies intuitive human energy in constant expansion.

This three-dimensional mixed-media artwork explores the eternal dialogue between reason and chaos. Through sculptural textures, crayon pointillism, and layered acrylics, Einstein represents rational order while HTridex embodies intuitive human energy in constant expansion.

Orbital Bonds: The Gravity of Play

2016

Acrylic on canvas mounted on wood

48 × 36 in (121.9 × 91.4 cm)

A mixed-media composition where 11 sports balls function as celestial bodies. Integrated with fragments of plastic containers, the elements orbit within a blue field, evoking gravity, motion, balance, and human connection.

2024

Técnica: Acrílico metálico sobre lienzo

Medidas: 48 × 48 pulgadas (121.9 × 121.9 cm)

Obra que explora la conciencia universal y la presencia constante de la mirada simbólica. Cuatro figuras doradas, similares a cabezas u ojos, observan desde todos los ángulos y convergen en un mandala central de formas entrelazadas. La composición sugiere vigilancia espiritual, equilibrio cósmico y la conexión entre lo visible y lo invisible. El uso de tonos dorados y plateados refuerza la idea de lo eterno, lo sagrado y el ciclo infinito de la observación.

2016

Acrylic on canvas mounted on wood

52 × 52 inches (132 × 132 cm)

A mixed-media composition depicting the iconic Montauk Point Lighthouse, honoring the indigenous Chief Montauk. The work is created using layered canvas mounted on wood, later divided into 20 sections. After applying a second canvas layer, sculptural textures were formed using a pastry piping tip. The lighthouse emerges as a symbolic beacon of memory, resilience, and guidance, bridging ancestral history with contemporary material exploration.

2025

Mixed media – 3D acrylic sculpture on canvas

83 × 36 in (211 × 91 cm approx.)

A distorted figure holds light within a twisted gesture, where instinct meets memory. Acrylic color fractures the body into emotional geometry, revealing tension, resilience, and inner fire. Layered acrylics molded by hand transform pain into form, capturing creation in motion—chaos balanced by hope, energy contained in the palm.

2016

Mixed media – 3D acrylic sculpture on canvas

36 × 24 in (91 × 61 cm approx.)

Created in honor of our family bulldog, this piece preserves his spirit through layered, hand-molded acrylic. Vibrant colors form a tactile surface that carries memory, loyalty, and quiet strength. More than a portrait, it stands as a tribute to unconditional love—transforming loss into presence, and emotion into for

2016

Mixed media – 3D acrylic sculpture on canvas (circular format)

36 × 36 in (91 × 91 cm approx.)

A powerful satirical portrait exposing the illusion of authority and false rhetoric. A skeletal figure with vivid green hair rises behind a podium, surrounded by symbols of control, memory, and decay. Layered acrylic textures and hand-molded relief transform political imagery into emotional matter—confronting manipulation, fear, and ambition while revealing the fragile anatomy of power.

4 pieces (48 × 24 inches)

This work presents a hybrid, almost mythical figure in which an elephant skull—stripped of tusks and jawbone—eerily resembles a human skull. The central image challenges the boundary between animal and human, evoking themes of death, identity, and ancestral power.

The golden horns rise as symbols of strength and majesty. Two superimposed skulls suggest fusion or transformation, as if part of a modern totem or a wild deity.

Warm tones (red, orange, and gold) intensify the dramatic presence, while the acrylic technique, with matte textures and visible layers, gives the work a primal and spiritual vibration. It is a symbolic entity—a visual echo of what we were… and what we still are.

2011

Technique: Pictorial sculpture with layered acrylics on glass, hand-molded

Materials: Multiple layers of acrylic paint applied on glass, peeled off and manually sculpted onto canvas

Dimensions: 36 × 24 inches

Location: Long Island, NY

Status: Original artwork – one of a kind

This work explores transformation as a living, tactile process. Through layered acrylics molded by hand, the image emerges as a physical metamorphosis where painting becomes sculpture. The hands act as vessels of change, embodying movement, memory, and evolution. The piece reflects the moment where matter shifts identity, revealing form through gesture, touch, and conscious creation.

Dimensions: 39 × 36 inches

Technique: Oil on canvas

Year: 2009 (created in Maracaibo)

Status: Original artwork – unique piece

This painting presents a procession of duck-shaped forms emerging against a glowing horizon, where architecture and creature merge into a single symbolic body. Each figure carries a doorway, suggesting passage, shelter, and the quiet threshold between inner life and the outside world. The repetition evokes continuity, memory, and communal identity, while the warm tones speak of origin and belonging. The duck becomes both landmark and witness—an emblem of place transformed into visual poetry. This artwork draws from a real cultural reference: this store is located in Flanders, Long Island, New York.

Dimensions: 60.96 × 60.96 cm (24 × 24 inches)

Technique: Original mixed technique on canvas — metallic acrylic applied layer by layer on glass, then hand-molded into relief forms

Year: 2016

Status: Original artwork – unique piece.

At the center of this work lies a labyrinth without exit—a circular form that turns inward, refusing resolution. The maze becomes a metaphor for consciousness, time, and the human condition: movement without escape, contemplation without answers. Metallic surfaces and recycled materials radiate outward like coded signals, blending the ancient language of symbols with futuristic energy. The relief textures transform painting into object, inviting touch, memory, and reflection. This piece is not meant to be solved, but experienced—a visual transmission from a place both internal and distant.

Dimensions: 64 × 40 inches

Materials:

Aluminum, industrial glue, and colored acrylic paint.

Technique:

Mixed-media construction combining sculptural assembly and painted surfaces, integrating industrial materials with hand-applied acrylic layers.

Status: Original artwork — Unique piece

 This work presents a brutal metaphor of progress turned violent. Structured as a mechanical grinder, it reveals how misdirected evolution becomes a system that consumes its creators. Figures rise through stages of history and consciousness, only to be absorbed by a relentless machine where identity is stripped and erased. Industrial materials evoke cold automation, while painted elements preserve traces of humanity and resistance, questioning whether technology serves evolution or destroys it.

Dimensions: 57 × 37 inches

Technique:

3D acrylic painting on canvas.

High-relief application using a Stylen Steel spatula on the face, combined with rich impasto, bold brushstrokes, and metallic finishes.

Status: Original artwork — Unique piece

Description:

This artwork is an emotional eruption translated into color, texture, and form. At its center, a smiling female face emerges in sculptural relief, shaped with a Stylen Steel spatula, transforming paint into a living surface. Surrounding her, flowers and flowing forms orbit like a vibrant constellation, each color carrying a distinct emotion—joy, tenderness, curiosity, and love. Thick impasto and metallic accents create a tactile landscape where painting becomes sensation. The composition radiates outward as a pulse of affection and energy, affirming a simple yet powerful truth: color can love—and in this work, it loves Neidyn.

Dimensions:

48 x 36 inches (121.9 x 91.4 cm) — pieza única

Mixed media on canvas (landscape)

Description

This unique piece captures the anatomy of motion in suspension. A fragmented skeletal figure leaps beyond gravity, raising a skull as a symbol of consciousness and transcendence. Surrounded by gestural marks and erupting forms, the body becomes a metaphor for evolution, mortality, and rebirth—where flight transforms matter into idea.

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